Showing posts with label 70's Rock N Roll. Show all posts
Showing posts with label 70's Rock N Roll. Show all posts

VINTAGE SHEARLINGS




Evening guys, hello and welcome to the New Year! January has been a cold one pretty much everywhere, hence why I've been on the look out for more thicker, substantial items to really wrap up warm. Tonight my post is about my latest editions to the winter wardrobe - my retro shearlings. You all should know me by now and know how much I love a shearling jacket! Especially if it's a vintage beauty oozing all that character and that's exactly what I have here! Not only was I lucky enough to find one over the past few months, but two unbelievable, down right sexy jackets! However, now I have a slight problem, I already own one, now I have three in my collection, all shaggy, tan suede, so before my clothes rail collapses under the sheer weight of three bulky shearlings, one must to go!




There's nothing better than wrapping up in a shearling, you get the old rockstar look as well as the comfort & warmth so badly needed this time of year, there really isn't the style over substance approach with a piece like a shearling, they look bloody amazing and serve a purpose all at the same time! They really are the all rounder jacket, a complete win win. We'll talk about the jacket that begrudgingly I'll be putting up for sale and that's this one - I think this one has to go as it's so close to my original shearling I found in London a few years back. Nevertheless this jacket still is down right killer and I'm sad to see it go but it's screaming out to be someone else's go-to winter style and needs some love'in!






It's a slightly longer style suede with two deep flap pockets on the front, it has a huge over exaggerated fur collar waiting to be flipped up, pulled in and worn out on a freezing cold February day. It has a big silver, chunky zip running up its centre with added further metal details like the small clasps on the cuffs. The jacket is fully lined with quilting and fur that runs about two inches into the jacket from the edges of the piece. It's the perfect silhouette with its thick panelling and suede. When you wear this jacket, zip it to the top, nothing will stop you. I'd say its about a small/medium fit.




My other find is this, still tan suede, still fur lined, but this time its a little more cropped, tight fitting and it has a dark, coffee brown curled lining, it's the same but different at the same time. I adore this jacket and its now the one I throw on to take my car out. The cold wind hitting me whilst driving with the top down, but with this stylised flying jacket, it's does just the trick of keeping me warm.


The main thing about this particular jacket which is even different to my London shearling is that it's fully lined, you put your arm into it, and feel that fur, the whole of the body and arms are wrapped in curly, soft fleece lining! Oh baby. I wanted to feature these two jackets for a while now, but with a huge project currently underway (It's top secret) and I think it'll be that way for a good few months yet, I just haven't had the time, but since January has finally come to a close, I had to post a blog, to keep my hand in!

If anyone is interested in taking the jacket DM me on Instagram x

Hope you're all good and have had a great start to the year.
As always I appreciate you reading



MOUNIR GHAZI - MAGIC IN PARIS





Evening guys, tonight I'm throwing it back to the summer and talking about Mounir Ghazi - The man, not the brand. I want to share Mounir's film which hopefully by now, most of you have seen already across on my IG as well as give you a little insight of how the film came about here on my blog.





Mounir asked me to film across in Paris earlier this year and it's ONLY now I can talk about it and show you guys what we created together. The brief was to come up with an ultra premium film covering a little more about Mounir himself. From his passions, his background and his roots to what his life looks like now, living in the capital of France. He also wanted to show his journey of becoming a fashion designer, soaking up everything from personal inspiration, his taste in music and of course the design process of crafting one of his stunning leathers.



I remember heading to Mounir's pad for the first time after meeting him just off the Champs-Élysees, walking to his killer studio which was a short distance from the bustling street, past a few fancy wine bars and restaurants, through a large, green, locked double door. A tight Parisian wooden staircase leads off a huge cobbled courtyard up to his apartment, which opened out to an airy, bright, living room with the most amazing marble fire surround slap bang in the middle. This was where the shoot was to take place.


After unpacking my things and heading out to explore the city and obviously experiencing as much of the French cuisine as possible . . .  the bread, cheese and the odd glass of red, we headed back to talk - the plan. We sat and chilled, kicking back after a busy day exploring Paris and brainstormed out loud. Jotting idea's down franticly on a scrap of paper, coming up with a storyline and shots we needed to achieve that evening in his studio and workroom for his creations.


The past shoots Mounir and myself have created have been very late nights indeed. A few years back in London, after a wild penthouse party at a hotel in Marylebone, we decided to create this crazy film using the down right cool aesthetic surroundings of the hotel we'd been invited to and then subsidently crashed at after. I remember leaving the party of passed out people upstairs, having a coffee and shooting in this deserted hotel lobby bar at like 4AM in the morning, it was epic! Myself fully dressed in leather - the coolest trousers and biker, taking shots in the corridors and then heading out onto the streets of London until the sun came up. 

The Paris shoot timing was no different, we just work better in the dark. I had to include this shot (from said London shoot) which Mounir now has blown up and framed on his wall!


Then the night itself came around, we'd gone for a bite to eat at a near by restaurant, headed back for 11PM and we started to roll. Mounir put The Stones back catalogue of songs on from when they lived in Marrakesh and also started to prepare me, the finest Moroccan tea I've ever tasted, the freshness of the mint, the sweetness of the sugar, and the depth of the tea, strained and stirred, not to mention poured to perfection. We were getting in the zone man!



Now off and running, we had the candles lit we'd bought earlier on in the day, the red roses we also picked up earlier were a main feature on the fireplace, the studio was looking amazing. I'd also brought my smoke machine, which always adds such a mysterious air to things whilst shooting, not to mention making everything look cool as fuck - I knew that pairing this with my strobe was going to give us some cool effects indeed! By this time the Moroccan tea was brewed and the Stones were supplying us with the best soundtrack, all inspiring us creatively to get into the groove. Mannequins shadows danced on the walls, smoke hung in the air, guitars were being passed and played room to room, amps lay on the sofa's, Mounir's leathers now scattered the studio and I knew at this moment, the film was going to be exactly what we'd set out to create. Legendary.



We didn't wrap the shoot until 5:30 in the morning but we both knew one thing, when we said goodnight, magic was made. I flew back a few days later and edited it all up. The final stumbling block a few weeks in was capturing everything in a such a short sequence. I had disregarded the bits I didn't want, but the problem now was - I had too much good footage! I was stuck and the only thing I knew that would get me back into the right frame of mind was where the pure essence of the films personality originated - to somehow find Moroccan tea in Scotland. After a little googling I headed into town, collected all the ingredients, arrived back to the flat and poured myself a few cups, lashed it all out in an seven hour edit of craziness, into the early hours of the morning, the perfect accompaniment to finalising the film. September rolled around and Mounir had the film in his inbox. That's the way I roll, done.


Check out Mounir's blog here & make sure you check out his article I created the film for his article The Flowers Of Evil, across at - Electric After Dark


Cheers for reading,